quarta-feira, 31 de outubro de 2012

Mad


Mad #125, March 1969. Cover photographer: Irving Schild
 
 Mad #151, June 1972. Cover art: Norman Mingo

 Mad #166, April 1974. Cover art: Norman Mingo

 Mad #20, February 1955. Cover art: Harvey Kurtzman

Mad #83, December 1963. Logo: Harvey Kurtzman
 

segunda-feira, 29 de outubro de 2012

Daniel Steegmann Mangrané

172 mm × 245 mm 512 pages, 256 color illustrations, softcover ISBN 978-3-943514-08-7

Started in 1998, the Lichtzwang series consists today of more than 300 watercolors, all on 15 x 21 cm sheets of graph paper.

Most works in the series are made up of groups of several watercolors wherein each successive work is a variation of the previous, showing a transformation. The last watercolor usually matches the first one, so that each group forms a loop that could be installed in any order.

The process of realization is, however, guided by simple rules (play with the grid on the sheet, each item that appears in the watercolor lasts for three sheets), rules that bind while allowing improvisation and the introduction of a certain randomness in the process.

These watercolors have the generic title Lichtzwang (lightduress or lightconstraint) which in turn is the title of a book of poems by Paul Celan. Between 2000 and 2003 Daniel dedicated himself exclusively to this work, and it was at this time and through these watercolors that many of the interests and issues later explored in other media came to the fore, such as: color; space; time; structure; movement; modularity; variation; permutation; narrative; language; the loop ...

This publication comprises a selection of 256 watercolours made between 1998 and 2012 and was typed with the new Lichtzwang typeface and is published on the occasion of the presentation of the work at the 2012 São Paulo Biennial The Imminence of Poetics.

30 copies include an original drawing signed and numbered by the artist available at Mendes Wood gallery who through their generous support made this publication possible.

Daniel Steegmann Mangrané was born in Barcelona in 1977 and since 2004 lives in Brazil.

http://www.bomdiaboatardeboanoite.de/lichtzwang

quarta-feira, 24 de outubro de 2012

Franz Mon

 
1926, Frankfurt, Alemanha - Vive em Frankfurt
​ Como poeta e artista, Franz Mon joga com aspectos essenciais da linguagem e do texto. Mon aproveita-se de mídias prontas e disponíveis: máquinas de escrever, xilogravuras, adesivos de letras e gravações de áudio, entre outras. Desde a década de 1960, as máquinas de escrever têm sido seu principal instrumento para dar forma a constelações em letras de poesia concreta e experimental. Suas colagens e poemas visuais transmitem mensagens com conotações surreais e desafiam a legibilidade habitual: texto e imagem coincidem e juntos informam a percepção.(http://www.bienal.org.br)

Zansky


Gravura em letterpress em 2 cores sobre papel 300g – 33cm x 47cm
http://www.base-v.org/prints/mar-de-duvidas/

terça-feira, 23 de outubro de 2012

Sigurdur Gudmundsson

Extension, 1974

Cor










A cor pode assumir diversas funções na capa, além de chamar a atenção. Pode servir para destacar um texto, para criar alusões, estabelecer hierarquia, etc.

Jeremy Jansen

Jeremy Jansen, from Digitized by Google (2007)

via  http://verysmallkitchen.com/2012/02/02/lemonmelon-verysmallkitchen-conversation-on-publishing/

segunda-feira, 17 de setembro de 2012

Jake Tilson

Breakfast Special 1986-87 
b&w xerox, 2-colour xerox, Canon Laser copy, offset litho, instantprint, crayon, rubber stamps
Five softback books.
18 x 15 cm

 
http://www.jaketilson.com/publishing/books/breakfast/index.htm

sábado, 1 de setembro de 2012

Hans Waanders


The Lomond Guide to Birds, 1998
Artist's book. Edition unique. Size 11.9 x 18.1 cm. Soft cover, bound, signed.

Quotation Field Guide to the books of Hans Waanders, 1999 :
Field characters: White and red cover, bird images on white paper inside, blue stamps. Distribution: Solitary or in pairs, sometimes flocking. One species, but can be confused with nr. wa1-107 or even nr. wa1-108. General notes: A stamped buird guide. A good-sized book rather similar to several closely related species (same images), though the most common and widely spread of them. Description: 11,9 x 18,1 cm. 104 pages. 

http://www.johandeumens.com/artists/28-hans-waanders-1951--2001/artworks/500-the-lomond-guide-to-birds.html

quinta-feira, 23 de agosto de 2012

Ed Ruscha

Amsterdam kids folding buildings / Every Buildng on Sunset Strip

domingo, 19 de agosto de 2012

Mette-Sofie D. Ambeck



Ambeck's Typographic Bestiary – A-Z, Volume I
This Bestiary is an alphabetic account of 26 letterpress creatures, who came to life in the Central Saint Martins basement in 1998-99. They leapt off the proofing press and into the street around Southampton Row never to be seeing again until now 
Mais em http://www.ambeckdesign.blogspot.com.br/search/label/Artists%27%20Books%202006

John & Yoko

John Lennon & Yoko Ono,
cartaz em exposição no Moma/NY

quarta-feira, 1 de agosto de 2012

terça-feira, 31 de julho de 2012

Arno Fabre


La chambre d'Etienne ou Du discours de la servitude volontaire, 2010
installation - fresque, vidéo et sondage

Aux murs d'une des pièces de la Maison La Boétie (arbitrairement décrétée être la chambre d’adolescent d’Etienne de La Boétie), j'ai recopié l'intégralité du Discours de la servitude volontaire (manuscrit de Mesme, en moyen français) : 58 351 caractères, 48 m2, 67 lignes, 1167 mètres, 12 marqueurs noirs, 16 jours d'écriture. Nous plaçant ainsi physiquement au cœur du texte et l’embrassant dans sa totalité, nous pouvons en faire une expérience singulière et troublante, dans un calme introspectif. 

sábado, 28 de julho de 2012

Mike Joyce


swissted is an ongoing project by graphic designer mike joyce, owner of stereotype design in new york city. drawing from his love of punk rock and swiss modernism, two movements that have absolutely nothing to do with one another, mike has redesigned vintage punk, hardcore, and indie rock show flyers into international typographic style posters. each poster is sized to the standard swiss kiosk dimensions of 35.5 inches wide by 50 inches high and set in berthold akzidenz grotesk medium, all lowercase. every single one of these shows actually happened.










Moyra Davey


Copperheads
by Moyra Davey
104 pages, softcover
Numbered edition of 200




Copperheads is an artist's book which documents the most ubiquitous, although possibly least noticed, portrait in the United States: Abraham Lincoln's visage adorning the American penny which was introduced by the US Mint in 1909 on the occasion of Lincoln's centennial.

http://www.bywaterbros.com/Books/BBooks_DaveyM.htm

Bern Porter


terça-feira, 10 de julho de 2012

Michael Snow




Trecho de uma entrevista:

DD: Cover to Cover (1975) is not only considered your best artist’s book, but is widely thought of as the best artists’ book, ever.

MS: Well, I certainly go along with that. (Laughs) The Nova Scotia College of Art and Design began a press with Kasper Konig as the director, and they put out some really wonderful things, which were mostly artists’ statements about their work. I was asked to do something, which was very nice but I thought, I don’t want to do that. I want to do a work. I didn’t want something about my work, but something that was an example of it. So, I proposed it to them and began looking at books for their, well, bookishness. One thing is that the pages are two-sided. There’s always an ‘other’ side. That led me to the idea of having two cameras take a subject, placing one image on one side, and the other camera’s view on the opposing side, exactly the same size. Then, you get a true physical contact with the two-dimensionality of photographs, and you experience the compression that’s involved in photography, which mostly vanishes in the face of the realism of it. Just that basic formal principal led to a variety of things – the recto-verso, for example. The whole story is of me leaving my house and driving someplace, which was the Isaacs Gallery, to pick up a copy of the book. So, the book is presented as a fait accompli by showing the book to the reader.


Para ler a entrevista completa: http://www.magentamagazine.com/10/features/michael-snow

Vídeo mostrando o livro: http://youtu.be/cdvjlJx1E1w 

Augusto de Campos



Linguaviagem, 1967
Poemcube by Augusto de Campos
250 x 255 mm folded. 

Unfolds to cube shape (250 mm square, 255mm high) with three letters screenprinted on each side - the outer sides in blue, the inner sides in green. The three letter groupings are LIN / GUA/ VIA / GEM. Therefore the letter groups combine (as is printed on one page) to make Lingua : Tongue / Via: Via/ Linguagem: Language and viagem : voyage. One of de Campos' most successful and famous poems and a beautiful poetry object/sculpture. Printed in an edition of 100 for the Brighton Concrete Poetry Festival,1967.



segunda-feira, 2 de julho de 2012

Cris de Paris

Os registros de pequenos ofícios da rua, os vendedores ambulantes, reunidos em álbuns de estampas, são precursores dos livros ilustrados e dos quadrinhos. O título é uma referência ao pregão, repetido pelo camelô, e que era gravado em madeira, em letras góticas, na mesma matriz da imagem. Acima, livros populares vendidos no tabuleiro, da mais antiga série de "Cris de Paris", gravura sobre madeira, colorida à mão, cerca de 1500.

Michel Melot,  L´Illustration, Histoire d'un Art. Skira, 1984,  p. 104