Andre Masson

Brion Gysin

To me, Gysin was the source of the energy we associate with the most radical experiments of the Beats. He was the real source of the ideas; other people just applied them. That was a really important shift in my appreciation of the Beatnik phenomenon. From that moment I was hooked, fascinated and impressed by each layer of Gysin I discovered. As I peeled things away over the years, I was never disappointed. There was never an end to it. He was the only person I've met whom I would unquestioningly call a genius (Genesis P. Orridge, sobre Brion Gysin via https://www.theguardian.com/books/2003/nov/15/art.classics)

Giuseppe Capogrossi

 Superficie 122, 1951

Superficie 289, 1958

Superficie CP812, 1967

 Superficie CPS26, 1962-65

 superficie 615, 1961

Keith Haring

Drawing

Sumi ink on paper Keywords: Pattern

20 x 26 inches

51 x 66 cm

 http://www.haring.com/!/art-work/2#.UZLYqcpHrKM
 

Arturo Carmassi

Wassily Kandinsky

Sucession, 1935

Existem diversas referências à música na obra do pintor russo. Nesta pintura, sinais abstratos são dispostos em linhas, como notas musicais em uma pauta.

Timothy Ely

The Flight into Egypt

56 páginas, 36 x 28,5 cm.

First Edition, published in 1995 by Chronicle Books as a facsimile of a unique manuscript book by Timothy C. Ely. Full color throughout. Includes Foreword by Terence McKenna, Introduction by Timothy C. Ely, and an interview of Ely by Steven Clay of Granary Books in New York City.

In his introduction, Ely reveals that his primary inspiration for the book came from a notebook of his grandfather’s that contained a fragmentary record of the latter’s trip to Egypt: ‘Between the two world wars, for some sixteen weeks, my grandfather had journeyed on a solo mission of undetermined logic to a land difficult to reach’. Puzzlingly, Ely writes, the notebook gave neither the exact year when the trip was made, nor its purpose. Over this background, Ely has superimposed his own perceptions of ancient Egypt, fused with his experiences as a book-maker: several of the book’s illustrations depict the book’s own creation as a physical object. The result is a rather impenetrable, yet richly resonant work: ‘I wanted to create a manual, a device which, like a mandala, would impart or reveal certain knowledge if meditated upon,’ Ely adds. (via spamula)

Gordon Matta-Clark

Music Calligraphy, 1973

Maurice Lemaitre

Maurice Lemaitre é um poeta, artista e escritor nascido em 1926. Foi ligado ao letrismo de Isidore Isou. Acima, exemplo de um poema hipergráfico.

Luigi Serafini

Codex Seraphinianus

Outras imagens e um texto (em inglês) podem ser vistas no site da abebooks. A primeira edição é de 1970, e a mais recente saiu em 2006.

Paul Klee

lenda do Nilo

  

intention

Schwimmfahiges

black signs, 1938

Park-Bei-Lu-Zern

Man Ray

Message-Marcia

Message-Marcia 2

Paul Klee

Secret type-face

 Pastorale (Rhythms)

poem picture script