Martin Creed

Small Things

Picasso

Reflorestamento

Sunji Niinomi

Campanha Ecológica

Ryuichi Yamashiro (Japanese, born 1920)

1954. Silkscreen, 41 x 29" (104.1 x 73.6 cm).acervo Moma

Campanha de reflorestamento. O ideograma árvore, repetido, forma a palavra "bosque". Um "bosque" com mais uma "árvore" forma a palavra "floresta".

Flavio Motta

 Capa do livro sem título, publicado em 1974

Big Letters

Logvin, 1996

Joerg Hamburger

  

Pierre Mendell

  

  Robert Motherwell, Mostly Mozart

Anette Lenz, zeitzeiger

Daniel Pflumm

Untitled, 1999
Vinyl decal on Plexiglas in aluminum lightbox.  

62.9 x 94 x 16.5 cm

This work is from an edition of five.

 plexiglas, aluminium, light tubes
87 x 87 x 16 cm. 

executed in 1999 from an edition of 5

untitled 1990 vinyl over acrylic with aluminum 

60.5 w x 6.25 d x 18 h inches 

 

Untitled (For Monte Blanc)
Plexiglas on aluminum lightbox
151.3 x 151.3 x 20.3 cm

Bla Bla Bla

 Mel Bochner

blablabla (2008), by Fabian Seiz

Tauba Auerbach

Gordon Young

For the new library designed by architects Penoyre and Prasard, Gordon has created a ‘forest’ of oak columns which are sited throughout the library and installed from floor to ceiling like supporting pillars. Workshops with users of the library were held by artist Anna Sandberg to gather information on people’s favourite books, places and memories. Using this generated content, Gordon worked with typographers Why Not Associates to design the columns. Each of the 14 solid oak columns reflect different subjects from the gothic to the romantic and are sited in specific relevant locations within the library.

In collaboration with:
Typography – Why Not Associates.
Implementation – Russell Coleman.
Community engagement – Anna Sandberg.
Client: West Sussex County Council.

http://gordonyoung.net/crawley_typographictrees.html

Michelangelo Pistoletto

Cento Mostre nel mese di Ottobre, 1976

9x9 cm, 214 p.

Timothy Donaldson

Big Writing Series

Reading 1997

This is the writing instrument: a brush 2' (0.6m) in width, constructed from four 6" (15cm) brushes held together in a wooden frame and attached to a wooden pole.

more info: http://www.timothydonaldson.com/

Philip Guston

Philip Guston & Clark Coolidge

Philip Guston & Clark Coolidge

poem-pictures

Colaboração de Guston e jovens poetas, alguns vinte anos mais novos do que o pintor.

Felipe Ehrenberg

Codex Aeroscriptus Ehrenbergensis

Produzido a partir de stencils e impresso em offset, com separação de cores para se aproximar de um stencil de verdade, este é um dos mais belos livros impressos que já vi. A página com a luta dos galos, com impressão sobreposta e cor especial, é um exemplo de boa utilização dos recursos técnicos.

Gunther Kieser

He also worked for the jazz label Blue Note .