uma história da leitura

Carissa Potter & Luca Antonucci

POCKET BOOK Vol. 1

Carissa Potter & Luca Antonucci

Facsimile and Letterpress

8.5 by 11

Published by Colpa Press

POCKET BOOK Vol. 1  is an inventory of the contents of pockets. This sample was taken from 4-10 pm on Saturday, October 13th 2012 by asking the general public to empty their pockets on to a Xerox machine. No additional editing was done.

This publication was produced with the generous support of Yerba Buena Center for the Arts. We would also like to acknowledge the participants in this live book event. We have done our best to conceal your identity.

Carissa Potter and Luca Antonucci

Special thanks to Lindsay Watson for helping make this book and Richard Ciccarone for inviting us to be part of this exciting event.

Copyright 2012

Julien Nédélec

Feuilleté est un livre blanc dont les pages conservent la trace indélébile des empreintes digitales de Julien Nédélec, puisque chaque exemplaire du livre aura été feuilleté par l'artiste et ses doigts salis par de l’encre. Tiré à 700 exemplaires, chaque exemplaire de ce livre est de fait unique.

Cette nouvelle édition de Feuilleté fait suite à une première édition publiée en 2008, aujourd’hui épuisée. Conçue comme la précédente, elle présente un nombre de pages augmenté et une nouvelle reliure.

« S’il fallait résumer le travail de Julien Nédélec en quelques mots, on pourrait affirmer qu’il se situe quelque part entre Raymond Hains, l’OuLiPo et Claude Closky. Raymond Hains, tout d’abord, pour cette propension à manipuler le langage, transformer le sens en non-sens – ou tout au moins en un sens différent –, s’amuser des renversements sémantiques et continuellement brouiller les pistes. L’OuLiPo, ensuite, constitué dans les années soixante par Raymond Queneau et le mathématicien François Le Lionnais, en raison de son goût pour les séries, les ensembles, les suites complexes et plus généralement les mathématiques. Claude Closky, enfin, pour le jeu permanent, la recherche constante du décalage. » Antoine Marchand (Revue 02)


Caractéristiques techniques
9 euros
48 pages
11,5 x 18,5 cm
Broché
ISBN 978-2-915859-43-0
2013
http://www.editions-zedele.net/feuillete-ne.html

Guilherme Aranega

http://www.guira.com.br/RIDE-A-BIKE

Michel Francois

Plié, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014

€ 60,-

_____________________________________________

SUNDAY is an editorial project published on a bi-monthly basis. A standard format was developed specifically for this project, in which an artist is invited to conduct an intervention, re-think a work, or make an adaptation.
SUNDAY is a cross between a publication, an artist’s edition, a multiple, and an exhibition.
A foldable exhibition platform, a poster-like monograph, an artwork edition, .........
An A1-size poster folded to A4 size, a colophon, bundled in an envelope.

Raoul Dufy

Olavo Aguiar

trabalho realizado no Workshop de Tipografia

Tipografia Matias, Belo Horizonte/MG

fotografia de Rafael Neder

Waltercio Caldas

 

Objeto
Técnica: acrílico moldado e gravado
Dimensões: (A x L x P) 32 x 23 x 5 cm
Data: 2012
Edição: 40

Waltercio Caldas tem desenvolvido livros de artista ao longo de sua trajetória artística e Como imprimir sombras é o mais recente deles. A obra, feita em acrílico moldado e gravado com o título, foi elaborada com exclusividade para a Carbono Galeria.

Robert Smith

página de revista, 1963

O uso inteligente da entrelinha para criar massas de texto com densidade diferente, revelando a silhueta da taça em frente à garrafa de vinho, ou o líquido na outra garrafa.

Keith Smith

anúncio do Mini Cooper, revista AutoWeek, 2002.

Exemplo de peça gráfica pensada para a página, os grampos da encadernação são utilizados como obstáculos para o percurso do carro. 

(imagem do livro Text in The Book Format, de Keith Smith)

Tide Hellmeister

Sol LeWitt

 Autobiography

 

Rogelio López Cuenca

 

For Copyright Reasons, 2010
Óleo sobre tela
162 x 130 cm

 

Rogelio López Cuenca (España,1959)

Sigurdur Gudmundsson

SIGURDUR GUDMUNDSSON, Pavement, street, 1973

http://www.stedelijkmuseum.nl/kunstwerk/26172-pavement-street-sketch

Lolita

I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls. … Who would be capable of creating a romantic, delicately drawn, non-Freudian and non-juvenile, picture for LOLITA (a dissolving remoteness, a soft American landscape, a nostalgic highway—that sort of thing)? There is one subject which I am emphatically opposed to: any kind of representation of a little girl. (Vladimir Nabokov)

Michael Bierut

 Jessica Hische

 Henry Sene Yee

The book cover is also paratextual material that has the potential to influence the reading of a text: It may distort or illuminate, editorialize, and even invent subjects and situations that do not exist in the text.


Lolita: The Story of a Cover Girl (public library) addresses through a magnificent collection of concept covers for the Nabokov classic, which editors John Bertram and Yuri Leving describe as planted “firmly in the public consciousness, but more often for its misunderstood subject than for its masterful and dazzling prose,” by eighty of the world’s most celebrated graphic designers and illustrators, including such favorites as Paula Scher, Jessica Hische, and Debbie Millman.

 Debbie Millman

Andy Warhol

 

Modena Musset, 1968

catálogo/livro de artista com fotografias de Andy Warhol

"Published by Moderna Musett, Sweden in 1968 as an exhibition catalogue for the show "Andy Warhol" at the Moderna Museet in Stockholm, February - March, 1968. With virtually no text except for some of Warhol's famous quotes, the book contains numerous full page black and white illustrations of iconic Warhol images as well as hundreds of black and white photographs by Rudy Burkhardt, Eric Pollitzer, John Schiff, and Stephen Shore that provide incredible insight into the remarkable creativity of Andy Warhol. Writing about the book in their photobook reference work “The Photobook: A History, Volume 2”, Parr and Badger stated, "It is a fine example of the catalogue-as-artist's-book, a form that ostensibly began with the Dadaists and Surrealists, and is produced with some of the roughest reproductions ever seen, which are entirely appropriate, and supplemented by a long section of Factory snapshots by Billy Name. The genre was revitalized by the Pop movement, and Warhol in particular, which demonstrates his position as a latter-day Dadaist. The Moderna Museet publication especially had a great influence upon Japanese photography in the late 1960s and 1970s, particularly the photobooks of the Provoke era.”

http://www.modernamuseet.se/en/Stockholm/Exhibitions/2008/Andy-Warhol---Other-Voices-Other-Rooms/Willem-de-Rooij-on-the-Andy-Wa/

E.M. de Melo e Castro

Daiwoong Kim

Risograph Guide 1, 2012
Publisher: Corners
Designer: Daiwoong Kim
Staple Binding
85x138 mm
16 pages
6 Colors Risograph

Um livro de artista direto da Coréia. Mais em http://www.corners.kr/rg1.html

e. e. cummings

A capa acima é a ampliação de um dos poemas e foi desenhada por Alexandre Wollner em parceria com Geraldo de Barros.

“Absolutamente nada, nem mesmo a minha profunda apreciação dos extraordinários trabalhos que você teve com as suas traduções, pode me persuadir a renunciar às provas”, escreveu cummings em uma carta ao tradutor, e também poeta, Augusto de Campos, durante o processo de composição do livro.


mais poemas de cummings: http://www.antoniomiranda.com.br/poesia_visual/e_e_cummings.html

Alexey Brodovitch

 

páginas da revista Harper's Bazaar