Guilherme Aranega

http://www.guira.com.br/RIDE-A-BIKE

Michel Francois

Plié, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014

€ 60,-

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SUNDAY is an editorial project published on a bi-monthly basis. A standard format was developed specifically for this project, in which an artist is invited to conduct an intervention, re-think a work, or make an adaptation.
SUNDAY is a cross between a publication, an artist’s edition, a multiple, and an exhibition.
A foldable exhibition platform, a poster-like monograph, an artwork edition, .........
An A1-size poster folded to A4 size, a colophon, bundled in an envelope.

Raoul Dufy

Olavo Aguiar

trabalho realizado no Workshop de Tipografia

Tipografia Matias, Belo Horizonte/MG

fotografia de Rafael Neder

Waltercio Caldas

 

Objeto
Técnica: acrílico moldado e gravado
Dimensões: (A x L x P) 32 x 23 x 5 cm
Data: 2012
Edição: 40

Waltercio Caldas tem desenvolvido livros de artista ao longo de sua trajetória artística e Como imprimir sombras é o mais recente deles. A obra, feita em acrílico moldado e gravado com o título, foi elaborada com exclusividade para a Carbono Galeria.

Robert Smith

página de revista, 1963

O uso inteligente da entrelinha para criar massas de texto com densidade diferente, revelando a silhueta da taça em frente à garrafa de vinho, ou o líquido na outra garrafa.

Keith Smith

anúncio do Mini Cooper, revista AutoWeek, 2002.

Exemplo de peça gráfica pensada para a página, os grampos da encadernação são utilizados como obstáculos para o percurso do carro. 

(imagem do livro Text in The Book Format, de Keith Smith)

Tide Hellmeister

Sol LeWitt

 Autobiography

 

Rogelio López Cuenca

 

For Copyright Reasons, 2010
Óleo sobre tela
162 x 130 cm

 

Rogelio López Cuenca (España,1959)

Sigurdur Gudmundsson

SIGURDUR GUDMUNDSSON, Pavement, street, 1973

http://www.stedelijkmuseum.nl/kunstwerk/26172-pavement-street-sketch

Lolita

I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls. … Who would be capable of creating a romantic, delicately drawn, non-Freudian and non-juvenile, picture for LOLITA (a dissolving remoteness, a soft American landscape, a nostalgic highway—that sort of thing)? There is one subject which I am emphatically opposed to: any kind of representation of a little girl. (Vladimir Nabokov)

Michael Bierut

 Jessica Hische

 Henry Sene Yee

The book cover is also paratextual material that has the potential to influence the reading of a text: It may distort or illuminate, editorialize, and even invent subjects and situations that do not exist in the text.


Lolita: The Story of a Cover Girl (public library) addresses through a magnificent collection of concept covers for the Nabokov classic, which editors John Bertram and Yuri Leving describe as planted “firmly in the public consciousness, but more often for its misunderstood subject than for its masterful and dazzling prose,” by eighty of the world’s most celebrated graphic designers and illustrators, including such favorites as Paula Scher, Jessica Hische, and Debbie Millman.

 Debbie Millman

Andy Warhol

 

Modena Musset, 1968

catálogo/livro de artista com fotografias de Andy Warhol

"Published by Moderna Musett, Sweden in 1968 as an exhibition catalogue for the show "Andy Warhol" at the Moderna Museet in Stockholm, February - March, 1968. With virtually no text except for some of Warhol's famous quotes, the book contains numerous full page black and white illustrations of iconic Warhol images as well as hundreds of black and white photographs by Rudy Burkhardt, Eric Pollitzer, John Schiff, and Stephen Shore that provide incredible insight into the remarkable creativity of Andy Warhol. Writing about the book in their photobook reference work “The Photobook: A History, Volume 2”, Parr and Badger stated, "It is a fine example of the catalogue-as-artist's-book, a form that ostensibly began with the Dadaists and Surrealists, and is produced with some of the roughest reproductions ever seen, which are entirely appropriate, and supplemented by a long section of Factory snapshots by Billy Name. The genre was revitalized by the Pop movement, and Warhol in particular, which demonstrates his position as a latter-day Dadaist. The Moderna Museet publication especially had a great influence upon Japanese photography in the late 1960s and 1970s, particularly the photobooks of the Provoke era.”

http://www.modernamuseet.se/en/Stockholm/Exhibitions/2008/Andy-Warhol---Other-Voices-Other-Rooms/Willem-de-Rooij-on-the-Andy-Wa/

E.M. de Melo e Castro

Daiwoong Kim

Risograph Guide 1, 2012
Publisher: Corners
Designer: Daiwoong Kim
Staple Binding
85x138 mm
16 pages
6 Colors Risograph

Um livro de artista direto da Coréia. Mais em http://www.corners.kr/rg1.html

e. e. cummings

A capa acima é a ampliação de um dos poemas e foi desenhada por Alexandre Wollner em parceria com Geraldo de Barros.

“Absolutamente nada, nem mesmo a minha profunda apreciação dos extraordinários trabalhos que você teve com as suas traduções, pode me persuadir a renunciar às provas”, escreveu cummings em uma carta ao tradutor, e também poeta, Augusto de Campos, durante o processo de composição do livro.


mais poemas de cummings: http://www.antoniomiranda.com.br/poesia_visual/e_e_cummings.html

Alexey Brodovitch

 

páginas da revista Harper's Bazaar

Evangelho Grego

O gênesis em um antigo evangelho grego, mostrando a tentação, o pecado original, a expulsão do Paraíso em uma mesma cena

Max Martins

man & woman = copulêtera

Traços do calígrafo

folha de exercício, mostrando os pontos utilizados como medida para o tamanho das letras

  Traces of the Calligrapher: Islamic Calligraphy in Practice, c. 1600–1900

In Islamic culture, calligraphy has long been considered a quintessential art form. This beautiful writing practice constitutes an expression of piety, and calligraphers are among the most highly esteemed artists. Traces of the Calligrapher portrays the intimate world of the calligrapher during the early modern period of Islamic culture. It brings together the “tools of the trade”—works in their own right that are rarely exhibited or published—and the exquisite art made with these functional objects in India, Iran, and Turkey. (Yale University Press)

 Calligraphers’ tools, storage box, and pen cases from Turkey, Iran, and India

 Tesoura utilizada para cortar papel, faca para cortar o cálamo, como é chamada a pena de escrever  utilizada na caligrafia árabe.

Calligraphers’ penknives, Turkey, 18th and 19th centuries.
Steel blades, brass mounts, handle materials include ivory and agate

http://stylecourt.blogspot.com.br/2010/08/traces-of-calligrapher.html