Arnaldo Antunes

xxiv bienal de sp

Davi Det Hompson

Material de divulgação da livraria Other Books & So, de Ulises Carrión. O espaço abrigava todo tipo de livro, inclusive não-livros, antilivros, pseudo-livros e quase-livros.

Aldo Manuzio

Nos primóridios da tipografia, os livros imitavam os manuscritos. Nos dois exemplos acima, Aldus Manutius deixava um espaço em branco na página para que a capitular fosse feita manualmente.

Jenniffer Tee

 E*V*O*L E*Y*E LAND*S-END (2004)
Edited and designed by: Jennifer Tee i.c.w Richard Niessen
Published by: Artimo

 http://www.teeteetee.nl/tee_jennifer.html

E*V*O*L E*Y*E LAND*S-END (2004)
Author(s): Xander Karskens, Ann Demeester, Stijn Huijts
Edited and designed by: Jennifer Tee i.c.w Richard Niessen
Published by: Artimo, NL 

 The Jennifer Tee EVOL EYE LAND-S END book is made in the summer of 2004 as part of Tee’s contribution to the São Paulo Bienial, and is the result of an extensive collaboration between Jennifer Tee and graphic designer Richard Niessen. It is selected as one of the best Dutch book designs of 2004, and is for sale at galerie Fons Welters. The book consists of 8 booklets that are randomly bound. Each booklet has its own design, using one of the 4 typefaces that Niessen specially made for this project. One of the booklets contains an enormous panorama of Jennifer Tee’s work, in combination with the 4 typefaces. One of the typefaces was later developed into the Eye-vi font

 (eu vi essa preciosidade na biblioteca do Mam/SP, o livro tem impressão em cores especiais, e uma quantidade enorme de texturas e imagens sobrepostas)

Mary Kelly

post partum

Um ponto de ironia

Joris Hoefnagel

Mira Calligraphiae Monumenta - Joris Hoefnagel, Flemish illustrator, 16th century

Eric Doeringer

 The Xeroxed Book

Bound Photocopies, 8.5 x 11", 185 p., edition of 250, 2010

The Xeroxed Book is based on Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Lawrence Weiner - an artists book published by Seth Siegelaub and John Wendler in 1969 that is more commonly known as The Xerox Book. The Xerox Book was conceived as an exhibition in book form: Siegelaub invited the seven titular artists to submit 25-page projects designed to be reproduced by the then-new technology of the photocopy. However, photocopying proved too expensive at the time, and the book was printed on a traditional offset press.
The Xeroxed Book is a photocopied edition of the Xerox Book. Being photocopied, The Xeroxed Book is perhaps closer to Siegelaub's intent than the original book. However, as a second-generation copy, The Xeroxed Book displays the limitations of photocopying as a reproductive technology. Dust, page edges, distortions, and other familiar Xerox artifacts appear on every page, becoming as much a part of the reading experience as the original artists' projects.

Mais info: http://www.ericdoeringer.com/ConArtRec/Xeroxed%20Book/XeroxedBook.html

Walter Silveira

Nexo, 1981

Finn Thybo Andersen

I Am Jumping Around It
Finn Thybo Andersen
Copenhagen, Denmark : Space Poetry. 1997

Images of an artist literally jumping around his sculpture, a life-size physicalized rendering of the word, “IT”.

Margaret Kilgallen

3° Simpósio de Integração das Artes Visuais

 Evento que acontece nos dias 15, 16 e 17 de junho de 2011 no prédio de Artes Plásticas/ Visuais da UDESC. Av. Madre Benvenutta, 2007 Itacorubi - Florianópolis - SC

 

Este ano o tema é publicações de artistas. Participarei de uma conversa com a Regina Melim na quinta.

 

As edições Andante participam da mesa de publicações. A programação completa está no blog do evento.

Joan Brossa

 Dado redondo

 O empregado

 Fé ecumênica

 Luva-correio

 Merda

 (carimbo sobre medalha de condecoração nazista)

Nupcial

 (a palavra esposa em espanhol também quer dizer algema)

El País

 roda

sem azar

Artzines

Papier Gaché invites you to par­ti­cip­ate in Fan­zines! is a fest­ival ded­ic­ated to fan­zines and self-​​published books in Octo­ber 2011, at the Mar­guer­ite Duras Pub­lic Lib­rary in Paris…[read more at artzines]

Encontro Impresso

dia 11/6 - sábado
das 16h às 19h  
Encontro impresso
com: Lisette Lagnado (crítica de arte e curadora), Ana Luiza Lima (crítica de arte) e Roberto Moreira Júnior (artista - a.k.a. Traplev) - debatedor: José Augusto Ribeiro (curador de Artes Visuais do CCSP)
Discussão sobre o poder de intervenção pública das revistas de arte no Brasil nos últimos 40 anos, desde a década de 1970 até hoje.
Entrada franca - sem necessidade de retirada de ingressos
Piso Caio Graco - Sala de Debates

Centro Cultural São Paulo | r. Vergueiro, 1.000, Paraíso

Tel. (11) 3397-4002. www.centrocultural.sp.gov.br

Paulo Bruscky

A comunicação nas Estradas

Um manual de comunicação usado por motoristas profissionais