Mostrando postagens com marcador livro de artista. Mostrar todas as postagens
Mostrando postagens com marcador livro de artista. Mostrar todas as postagens

quarta-feira, 13 de agosto de 2014

Ed Ruscha


Artforum. March, 1964.

[with Ed Ruscha's advertisement for Twentysix Gasoline Stations]


For a period of a couple years in the mid-1960s when Artforum was based in Los Angeles the magazine’s offices were in the same building where Ed Ruscha had his studio. Ruscha, who had trained as a commercial artist, occasionally worked for the magazine doing layout and design (he would appear under the name “Eddie Russia” on the masthead of a few issues). In the early years Artforum was perpetually on the edge of financial insolvency so in the March, 1964 issue Ruscha took advertising space in lieu of payment and used it to promote the first of his celebrated artists’ books, Twentysix Gasoline Stations, which he had published a few months earlier. The ad offers the book for $3 a copy. Upon publication Ruscha had sent a copy for inclusion in the Library of Congress’s collection, but the librarian who reviewed the submission, apparently nonplussed, declined to accept it and the book was returned. Ruscha, who has said that he wants his art to elicit a response of "Huh? Wow!", was delighted at this reaction and so his ad touts the book's "REJECTED" status as a primary selling point.  (http://www.6decadesbooks.com)

segunda-feira, 14 de julho de 2014

Paul Paper






Untaken Photographs


Published by Booklet
40 Pages
18 x 12.5 cm
Softcover
BW Offset
Edition of 100
2012
For more than a year, instead of taking certain photographs Paul Paper wrote them down. Untaken Photographs is a book about seeing, photography and, ultimately, the (limits of) image. It is an artistic dialogue with the writings of Jacques Rancière, Roland Barthes and, especially, Vilém Flusser.
Paul Paper is an artist, curator and day-dreamer based in Vilnius, Lithuania. A founder of Sraunus - a traveling photography projection show - he works both on his own and collaboratively.

http://antennebooks.com/books/paul-paper-untaken-photographs

quarta-feira, 25 de junho de 2014

Ben Vautier



Ben Dieu - Art total sa revue,1962-1963
Artist's book, Nice, 1963
Collages, editions, texts, and one copy of
"Fluxus 3 Newspaper Events".
It contains various artist's loose editions and
three chapters in walnut paper folder, 31 x 21 cm.

O livro completo pode ser visto neste link: 
http://www.fondazionebonotto.org/fluxus/vautierben/artistsbook/fx1263.html

terça-feira, 10 de junho de 2014

Carissa Potter & Luca Antonucci



POCKET BOOK Vol. 1

Carissa Potter & Luca Antonucci
Facsimile and Letterpress
8.5 by 11
Published by Colpa Press
POCKET BOOK Vol. 1  is an inventory of the contents of pockets. This sample was taken from 4-10 pm on Saturday, October 13th 2012 by asking the general public to empty their pockets on to a Xerox machine. No additional editing was done.

This publication was produced with the generous support of Yerba Buena Center for the Arts. We would also like to acknowledge the participants in this live book event. We have done our best to conceal your identity.
Carissa Potter and Luca Antonucci

Special thanks to Lindsay Watson for helping make this book and Richard Ciccarone for inviting us to be part of this exciting event.

Copyright 2012

quarta-feira, 23 de abril de 2014

Julien Nédélec


Feuilleté est un livre blanc dont les pages conservent la trace indélébile des empreintes digitales de Julien Nédélec, puisque chaque exemplaire du livre aura été feuilleté par l'artiste et ses doigts salis par de l’encre. Tiré à 700 exemplaires, chaque exemplaire de ce livre est de fait unique.

Cette nouvelle édition de Feuilleté fait suite à une première édition publiée en 2008, aujourd’hui épuisée. Conçue comme la précédente, elle présente un nombre de pages augmenté et une nouvelle reliure.

« S’il fallait résumer le travail de Julien Nédélec en quelques mots, on pourrait affirmer qu’il se situe quelque part entre Raymond Hains, l’OuLiPo et Claude Closky. Raymond Hains, tout d’abord, pour cette propension à manipuler le langage, transformer le sens en non-sens – ou tout au moins en un sens différent –, s’amuser des renversements sémantiques et continuellement brouiller les pistes. L’OuLiPo, ensuite, constitué dans les années soixante par Raymond Queneau et le mathématicien François Le Lionnais, en raison de son goût pour les séries, les ensembles, les suites complexes et plus généralement les mathématiques. Claude Closky, enfin, pour le jeu permanent, la recherche constante du décalage. » Antoine Marchand (Revue 02)


Caractéristiques techniques
9 euros
48 pages
11,5 x 18,5 cm
Broché
ISBN 978-2-915859-43-0
2013
http://www.editions-zedele.net/feuillete-ne.html

terça-feira, 15 de abril de 2014

Michel Francois



Plié, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2014
€ 60,-


_____________________________________________
SUNDAY is an editorial project published on a bi-monthly basis. A standard format was developed specifically for this project, in which an artist is invited to conduct an intervention, re-think a work, or make an adaptation.
SUNDAY is a cross between a publication, an artist’s edition, a multiple, and an exhibition.
A foldable exhibition platform, a poster-like monograph, an artwork edition, .........
An A1-size poster folded to A4 size, a colophon, bundled in an envelope.

domingo, 23 de março de 2014

quarta-feira, 5 de março de 2014

Andy Warhol

Modena Musset, 1968
catálogo/livro de artista com fotografias de Andy Warhol





"Published by Moderna Musett, Sweden in 1968 as an exhibition catalogue for the show "Andy Warhol" at the Moderna Museet in Stockholm, February - March, 1968. With virtually no text except for some of Warhol's famous quotes, the book contains numerous full page black and white illustrations of iconic Warhol images as well as hundreds of black and white photographs by Rudy Burkhardt, Eric Pollitzer, John Schiff, and Stephen Shore that provide incredible insight into the remarkable creativity of Andy Warhol. Writing about the book in their photobook reference work “The Photobook: A History, Volume 2”, Parr and Badger stated, "It is a fine example of the catalogue-as-artist's-book, a form that ostensibly began with the Dadaists and Surrealists, and is produced with some of the roughest reproductions ever seen, which are entirely appropriate, and supplemented by a long section of Factory snapshots by Billy Name. The genre was revitalized by the Pop movement, and Warhol in particular, which demonstrates his position as a latter-day Dadaist. The Moderna Museet publication especially had a great influence upon Japanese photography in the late 1960s and 1970s, particularly the photobooks of the Provoke era.”

sexta-feira, 14 de fevereiro de 2014

Daiwoong Kim




Risograph Guide 1, 2012
Publisher: Corners
Designer: Daiwoong Kim
Staple Binding
85x138 mm
16 pages
6 Colors Risograph

Um livro de artista direto da Coréia. Mais em http://www.corners.kr/rg1.html

quarta-feira, 18 de dezembro de 2013

John Baldessari





Brutus Killed Caesar


Sandra Gamarra Heshiki



Seleção Natural

Tomo I, II e II
Lima, Peru, 2009
cortesia Galeria Leme

A informação difundida em massa irradia uma aura de verdade entre os que a compartilham, ainda que saibamos que é o produto de uma seleção que implica sempre em um descarte.
Seleção natural reúne as páginas sobre artistas mulheres repetidas nos três catálogos de arte contemporânea “Art Now”. Ao fazê-lo, cria uma re-seleção como resposta ativa à totalidade da informação e seu consumo.

As pinturas de Seleção natural são apropriações que respeitam a diagramação do livro e pretendem conservar seu espírito de publicação para criar outra unidade, peneirada por seus próprios filtros, produzindo seus próprios descartes.

Como em uma tradução cuja linguagem é a pintura, o resultado é pessoal e parcial. O natural não é então o resultado, mas sim o ato de selecionar em si mesmo.
(texto na última página do livro)


O livro está disponível em PDF no site da artista: http://li-mac.org/es/publicaciones/seleccion-natural-1/#/page/1








sábado, 16 de novembro de 2013

Diter Roth




Collected Works Volume 7 – deluxe version
Bok 3b and Bok 3d reconstruction of the books published by forlag ed Reykjavik 1961 approx. 530 pages, original comics and children’s colouring books with die-cut holes, 23 x 17 cm, adhesive binding, softback; printed by Staib + Mayer, Stuttgart; edited by hj. mayer and d. rot; published by edition hansjörg mayer, Stuttgart, London, Reykjavik, 1974 in an edition of 1000 (each copy unique) of which 100 copies wrapped in original multicoloured screenprint by the author, numbered and signed, printed by Frank Kicherer, Stuttgart (http://www.grahamegalleries.com.au/)

terça-feira, 12 de novembro de 2013

Apropriação

Sherrie Levine, Flaubert: un coeur sinple

Elaine Sturtevant, Author of the Quixote

domingo, 25 de agosto de 2013

Capas sem texto

 Michael Snow, Cover to Cover, 1978

 Fabio Morais, ARTE E MUNDO APÓS A CRISE DAS UTOPIAS, 2010

 Paul Cox, Abstract Alphabet, 2001

Alfredo Jaar, A Hundred Times Nguyen, 1994

 Joachim Schmid, Belo Horizonte: Praça Rui Barbosa, 2002

Katsumi Komagata, Blue to blue, 2002

Michelangelo Pistoletto

 Edward Ruscha & Lawrence Weiner, Hard Light, 1978
Hard Light

Andy Warhol, Andy Warhol (Moderna Museet), 1968

Capas de livros de artista, sem texto com identificação de título ou autor. Em alguns casos, o nome do artista aparece na lombada, como na imagem acima, livro-catálogo de Andy Warhol

sexta-feira, 16 de agosto de 2013

Lawrence Weiner

"the book is on the table", or "something to put something on".
um livro para crianças de todas as idades.


um livro sobre o jogo de amarelinha