Reza Abedini

Cinema Haqiqat (Cinema Verdade)

Iranian Imagination

Photo + Graphic, 2004

International Festival Of Peace Poetry

Gunter Rambow

Fotomontagens

Cartazes de Gunter Rambow do final dos anos de 1970 para a editora S.Fischer, de Frankfurt.

Gunter Rambow (1938) é um dos mais destacados designers gráficos da Alemanha.

Links montag;

Alan Kitching

cartaz tipográfico (letterpress poster)

Links: [debutart; st. bride; eye magazine]

Mostafa Owji

Factor Design

Akihiko Tsukamoto

Niklaus Troxler

Marty Ehrlick Quartet NY, 2006

Willem Breuker Kollektief, 1990

Bauernkrieg, 2003

É impressionante a versatilidade deste designer suíço, que explora técnicas diversas para o desenho de letras nos cartazes para o Festival de Jazz, do estêncil ao nanquim, passando por técnicas de colagem e carimbo.

Uli Sanwald

Workshop Textmaschinen – Maschinentext 2x
Goldstein Staatliche Hochschule für Gestaltung Karlsruhe: Dr. Stephan Krass
Druckerei der Hochschule für Gestaltung

Guerrilla Girls

Do women have to be naked to get into U.S. museums?

As mulheres precisam ficar nuas para entrar no museu?

Less than 3% of the artists in the Met. Museum are women, but 83% of the nudes are female.

Menos de 3% dos artistas do Metropolitan Museu são mulheres, mas 83% dos nus são femininos.

Fabian Leuenberger

Netlabel Festival

Paula Scher

Best of Jazz - CBS

Outros trabalhos de Paula Scher

Ruth Ansel

Giancarlo Iliprandi

Rachel Speed

Damien Correll

Yale University Art Gallery - Fall 2008

Este cartaz tem apenas duas cores de impressão, mas parece ter muito mais: o branco do fundo torna-se figura em alguns momentos. Repare que o "R" da palavra ART é a sombra projetada do "A".

Laura Ruggeri

FIORI D'INVERNO, theatrical season 2000
calligram and book cover

Descobri hoje um ótimo blog sobre o uso de caligramas em peças de design gráfico, o blog é da italiana Laura Ruggeri, autora dos cartazes.

Leonardo Sonnoli

Wolfgang Weingart, 2000

98x68cm. offset

Poster designed in occasion of the lecture of Wolfgang Weingart organised by Leonardo Sonnoli and Pierpaolo Vetta. It was the occasion for the first presentation of his book “My way to typography”.
The “W” as three dimensional impossible object remind not only the double W of his name and surname, but mainly to the always revolutionary approach to typography of Weingart.

Shinnoske Sugisaki

Typography for an exhibition which commemorates the UNESCO world heritage registration of traditional performing arts "ningyo joruri Bunraku" (Japanese puppet theatre) of Japan."

Takenobu Igarashi

Paul Sahre

Exercises in Futility Part IV, 2000

This poster announced a lecture I gave at the Maryland Institute College of Art in April 2000. I was experimenting with how hard someone would work to get the information from the poster. The talk focused on the difficulties of trying to do work you care about while dealing with nearly impossible obstacles.

I silk-screened an edition of 50 posters and sent them to the school, wondering if anyone would be able to find their way to the lecture.
It was poorly attended.

(Paul Sahre, comentando este cartaz que divulga uma palestra para estudantes de design)