tag:blogger.com,1999:blog-29440986458510071372024-03-08T08:34:15.012-03:00gramatologiaescritas, caligrafias, poesia visual e livros de artistaamir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.comBlogger1454125tag:blogger.com,1999:blog-2944098645851007137.post-69338269197271366972020-11-17T17:00:00.001-03:002020-11-17T17:00:05.083-03:00Ruth Wolf-Rehfeldt<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkKMDQ4Gi2qYw0vcJlSSqps2lr2raGeSQu4hBhQuTTnH8OB8vftWnRjkZNGROxqHeHCXTMNEJYqp-ER8u2gMrWhT2qpNFzlp4X3PgcAFsU7_QP8DrtU7UycxCZP9L-bHqu0bCCB32FrN7t/s1133/000142026_20150819135700_Scan-10.tiff-copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1133" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkKMDQ4Gi2qYw0vcJlSSqps2lr2raGeSQu4hBhQuTTnH8OB8vftWnRjkZNGROxqHeHCXTMNEJYqp-ER8u2gMrWhT2qpNFzlp4X3PgcAFsU7_QP8DrtU7UycxCZP9L-bHqu0bCCB32FrN7t/s320/000142026_20150819135700_Scan-10.tiff-copy.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><p><span style="color: #5f6368; font-family: arial, sans-serif;"><span style="caret-color: rgb(95, 99, 104); font-size: 14px;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #5f6368; font-family: arial, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_8hrKa6KAsxeXtZtKJUcEy1QTIzE_MaERQV_GOGmEJZnP44IJ10JgciTj6I7FID_0efJr1AhjkgB32ki6uMPFRLGCq7xYtjmcTCe7embl9e2aYjcYDQkY7t2jMkWT_TaHDG4DUkXZ4ALV/s1115/000169051_20151215212435_Scan-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1115" data-original-width="800" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_8hrKa6KAsxeXtZtKJUcEy1QTIzE_MaERQV_GOGmEJZnP44IJ10JgciTj6I7FID_0efJr1AhjkgB32ki6uMPFRLGCq7xYtjmcTCe7embl9e2aYjcYDQkY7t2jMkWT_TaHDG4DUkXZ4ALV/w461-h640/000169051_20151215212435_Scan-2.jpg" width="461" /></a></span></div><span style="color: #5f6368; font-family: arial, sans-serif;"><br /><b><br /></b></span><p></p><p><span style="background-color: white; font-family: minion-pro, "Helvetica Neue", Helvetica, Helvetica, Arial, sans-serif; font-size: 16px;">Ruth Wolf-Rehfeldt </span><span style="background-color: white; font-family: minion-pro, "Helvetica Neue", Helvetica, Helvetica, Arial, sans-serif; font-size: 16px;">“Faltungen”, 1980s, </span><span style="background-color: white; font-family: minion-pro, "Helvetica Neue", Helvetica, Helvetica, Arial, sans-serif; font-size: 16px;">Original typewriting and carbon copy of typewriting, 2 elements, 29.5 x 21 cm</span></p>amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-10124799919878257742020-11-16T17:44:00.001-03:002020-11-16T17:44:32.945-03:00Pigpen<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOR0QLM1kh17Ga3GpdhXuxnyZoYHoUuJ94dxScty-TPpsz3JvzkX07P_8NrztGr3ftc0G4QI7WRidJ7N1eGdHklDinr0bDDvr_Wj8ZNioX-ukDRb12u6hmKxzZZ99wG9YRICDlKkUshPB5/s1754/jourdan+pigpen.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1754" data-original-width="1240" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOR0QLM1kh17Ga3GpdhXuxnyZoYHoUuJ94dxScty-TPpsz3JvzkX07P_8NrztGr3ftc0G4QI7WRidJ7N1eGdHklDinr0bDDvr_Wj8ZNioX-ukDRb12u6hmKxzZZ99wG9YRICDlKkUshPB5/w283-h400/jourdan+pigpen.jpg" width="283" /></a></div>David Jourdan<div>Pigpen </div><div>Wien, Westphalie, 2009</div><div>19,9 × 26,9 cm</div><div>1 page</div><div>500 ex.<p><span face="_SuisseBPInternationalRegular, Helvetica, Arial, sans-serif" style="font-size: 15px;">What if the Italian counterculture and comics magazine </span><span face="_SuisseBPInternationalRegularItalic, Helvetica, Arial, sans-serif" style="font-size: 15px; font-style: italic;">Linus</span><span face="_SuisseBPInternationalRegular, Helvetica, Arial, sans-serif" style="font-size: 15px;"> and its French brother </span><span face="_SuisseBPInternationalRegularItalic, Helvetica, Arial, sans-serif" style="font-size: 15px; font-style: italic;">Charlie</span><span face="_SuisseBPInternationalRegular, Helvetica, Arial, sans-serif" style="font-size: 15px;"> had a German-speaking relative? Could Pigpen, the unmistakable dirty kid amongst the Peanuts, always scruffy and surrounded by a cloud of dust, be the herald of this magazine? Such speculations are at the origins of </span><span face="_SuisseBPInternationalRegularItalic, Helvetica, Arial, sans-serif" style="font-size: 15px; font-style: italic;">pigpen</span><span face="_SuisseBPInternationalRegular, Helvetica, Arial, sans-serif" style="font-size: 15px;">, a one-page publication by artist and comics addict David Jourdan. </span></p></div>amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-71869721932357772362020-07-30T22:56:00.000-03:002020-07-30T22:56:08.750-03:00Arlindo Daibert<div class="separator" style="clear: both; text-align: center;">
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Moradas</div>
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Acervo Museu de Arte da Pampulha</div>
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<span style="background-color: white; caret-color: rgb(102, 102, 102); color: #666666; font-family: "PT Serif", Georgia, "Times New Roman", Times, serif; font-size: 16px; text-align: center;">(Mandirituba, PR, 1960.)</span><br style="box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "PT Serif", Georgia, "Times New Roman", Times, serif; font-size: 16px; text-align: center;" /><span style="background-color: white; caret-color: rgb(102, 102, 102); color: #666666; font-family: "PT Serif", Georgia, "Times New Roman", Times, serif; font-size: 16px; text-align: center;">Vive e trabalha em São Paulo, SP.</span><br />
<span style="background-color: white; caret-color: rgb(102, 102, 102); color: #666666; font-family: "PT Serif", Georgia, "Times New Roman", Times, serif; font-size: 16px; text-align: center;"><br /></span>
<span style="background-color: white; caret-color: rgb(102, 102, 102); color: #666666; font-family: "PT Serif", Georgia, "Times New Roman", Times, serif; font-size: 16px; text-align: center;">colagens com letraset</span>amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com1tag:blogger.com,1999:blog-2944098645851007137.post-30143542533544346462020-06-05T16:25:00.000-03:002020-06-05T16:25:16.113-03:00Décio Pignatari<div class="separator" style="clear: both; text-align: center;">
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Organismo, 1960</div>
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O poema-livro de Décio Pignatari foi publicado avulso em 1960, cada imagem acima ocupava uma página inteira</div>
<br />amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-30632368979832356612020-06-01T15:42:00.000-03:002020-06-01T15:42:01.715-03:00Jan Voss<div class="separator" style="clear: both; text-align: center;">
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Jan Voss, Wartelist, 1984</div>
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<span style="background-color: white; caret-color: rgb(51, 51, 51); color: #333333; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; text-align: left;">Johanna Drucker uses _Wartelist_ as an exemplar for the importance of sequence in Artists' Books in her _The Century of Artists' Books_: "When you purchase Wartelist you can purchase as many interior sheets as you like—thus shortening or extending the wait the person at the bus stop has. The additional sheets are all sections of road and landscape so that the book's length becomes an experience of waiting. One turns through page after page of empty road where sequence is both duration and distance. _Wartelist_ calls attention to sequence as a fundamental feature of artists' books.</span></div>
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http://www.artistsbooksonline.org/works/wart.xml</div>
<br />amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-26875223508784995322020-05-26T10:25:00.000-03:002020-05-26T10:25:04.568-03:00Cy Twombly<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHAUO7fUgY7xpS5hkCGRmC2LziasNQnjx-XS8jK6tMViRVRTqe5Fn2c8Z5LPHK6ypKe0xOyH0auGo2qqFY8CD7nrzSkF3Ug_p7yclddT7-Ncf9HLVdwbpuqn-7yelVOjDCnsY_leaKFqFB/s1600/8+Odi+de+Orazio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="410" data-original-width="600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHAUO7fUgY7xpS5hkCGRmC2LziasNQnjx-XS8jK6tMViRVRTqe5Fn2c8Z5LPHK6ypKe0xOyH0auGo2qqFY8CD7nrzSkF3Ug_p7yclddT7-Ncf9HLVdwbpuqn-7yelVOjDCnsY_leaKFqFB/s400/8+Odi+de+Orazio.jpg" width="400" /></a></div>
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Odi de Orazio</div>
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untitled, 1970</div>
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s/t, 1971</div>
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palimpsest<br />
roma </div>
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"Garatujas" de Cy Twombly. </div>
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Por ocasião da 23ª Bienal de São Paulo em 1996, quando o artista apresentou algumas telas como estas, foi publicado em português o texto de Roland Barthes sobre Twombly:</div>
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http://www.23bienal.org.br/especial/petw.htm</div>
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<blockquote class="tr_bq">
Devemos considerar como surpresas todas as intervenções de escrita no campo da tela: cada vez que Twombly produz um grafismo, há um tremor, uma desordem na naturalidade da pintura. Essas intervenções são de três tipos (para simplificar). Primeiro, há as marcas de escalonamento, os números, os pequenos algaritmos, tudo o que produz uma contradição entre a inutilidade soberana da pintura e os signos utilitários do cálculo. Segundo, há as telas em que o único acontecimento é uma palavra manuscrita. Por fim, há, nos dois tipos de intervenção, a constante 'inabilidade' da mão. A letra, em Twombly, é exatamente o contrário de uma iluminura ou de um tipograma; ela parece ser desenhada sem cuidado e, contudo, não é verdadeiramente infantil, porque a criança aplica-se, faz força sobre o papel, arrendonda os cantos, põe a língua para fora num gesto de esforço. Ela trabalha arduamente para atingir o código dos adultos, e Twombly afasta-se dele, aumenta, arrasta; sua mão parece levitar, a palavra parece ter sido escrita com a ponta dos dedos, não por repulsa ou tédio, mas por uma espécie de fantasia que decepciona o que se espera da 'bela mão' de um pintor: essa expressão era usada, no século XVII, para designar o copista, que tinha uma letra bonita. E quem poderia escrever melhor do que um pintor?</blockquote>
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O texto foi publicado antes, junto com outro famoso ensaio sobre Twombly, “Non multa sed multum”, em O Óbvio e o Obtuso: ensaios críticos III. </div>
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Rio de Janeiro: Nova Fronteira, 1990.</div>
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amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-51360480901024900542020-05-25T15:40:00.000-03:002020-05-25T15:40:02.808-03:00Conrad Gleber<div class="separator" style="clear: both; text-align: center;">
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Conrad Gleber</div>
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Raising a Family, 1976</div>
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flipbook</div>
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<span style="background-color: white; color: #333333; font-family: "verdana" , "arial" , "helvetica" , sans-serif; font-size: 12px; text-align: left;">The idea of using the rapid, time-collapse photography of the flip book as a way to show family history is very funny. But taking the idea as a pun, and making the "raising" into a simple "rising" on the page, allowed Gleber to use a single image and progress it up the sheet. The result is smart, and surprising, and the stop-motion page-by-page animation took some work. The flip book genre is a favorite, maybe because the interaction reveals something the static book does not. This is a small gem of the genre.</span></blockquote>
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<span style="background-color: white; color: #333333; font-family: "verdana" , "arial" , "helvetica" , sans-serif; font-size: 12px; text-align: left;">Johann Drucker</span></div>
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http://www.artistsbooksonline.org/works/rais.xml</div>
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<br />amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-886678493359232182019-05-26T19:12:00.000-03:002019-05-26T19:12:33.980-03:00Jigme Douche<br />
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<br />amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com1tag:blogger.com,1999:blog-2944098645851007137.post-74704296047552756562017-09-27T10:00:00.000-03:002017-09-27T10:00:00.152-03:00Marcel Duchamp<div class="separator" style="clear: both; text-align: center;">
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canvas<br />59.4 x 54 cm<br /> The Museum of Modern Art, New York</span></div>
amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com1tag:blogger.com,1999:blog-2944098645851007137.post-79859873259451767382017-09-12T11:17:00.000-03:002017-09-12T11:17:09.664-03:00Nicolas Poussin<!--[if gte mso 9]><xml>
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ego, 1655</span>
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amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-46655312755134686352017-08-08T18:47:00.000-03:002017-08-08T18:47:08.728-03:00Metacartazes<div align="center">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheIfk1j6HygNAFQ6sR7ayFyLCIQ9oSUFvH_0hE8tFesXvmIipE5xocvsFOBfLK8LE8xmy9Nz3CQifLa2u0crJQ8NH3MDfb1GVWsMKxW2NlQzFbsxZFPNgQPgHVE9A0S2x3dBnl6tvC2pxX/s1600/2006-Hommage+to+the+street+philosopher+Emil+Manser.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheIfk1j6HygNAFQ6sR7ayFyLCIQ9oSUFvH_0hE8tFesXvmIipE5xocvsFOBfLK8LE8xmy9Nz3CQifLa2u0crJQ8NH3MDfb1GVWsMKxW2NlQzFbsxZFPNgQPgHVE9A0S2x3dBnl6tvC2pxX/s1600/2006-Hommage+to+the+street+philosopher+Emil+Manser.jpg" /></a></div>
<div style="text-align: center;">
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<div style="text-align: center;">
Niklaus Troxler<br /> Hommage to the street philosopher Emil Manser, 2006</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB7cbiFR5VknA2fi5zPCRz_uY_yQ-vr26KqbHQhVHSv_yj2oqZjFX8Sk_vx2Ex0tlkvqK_9uyTDpB_HQhA94J5k4DqUD31yndUmx3bk6fpTqgLzdlanLwXV3T7kmluCTvRO2LZX0ejkU1e/s1600/2001-Niklaus-Troxler.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB7cbiFR5VknA2fi5zPCRz_uY_yQ-vr26KqbHQhVHSv_yj2oqZjFX8Sk_vx2Ex0tlkvqK_9uyTDpB_HQhA94J5k4DqUD31yndUmx3bk6fpTqgLzdlanLwXV3T7kmluCTvRO2LZX0ejkU1e/s1600/2001-Niklaus-Troxler.jpg" /></a></div>
Niklaus Troxler, 2001<br />
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<img alt="" border="0" height="400" id="BLOGGER_PHOTO_ID_5505813590103812034" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs1z43mlUNQ4hOdqv4ospfwnKhWc0yPHEVoa6FKyZcX79r_AQ8nSokKNNibW2SYPvMeM0u7ujo39WvyPyaSz6Z5i4zgX0vSzmOhZamODWU51lT32UKSzI4buh3d9s0fuS2GXH1b59G_jY/s400/sebastian_fischer.jpg" style="display: block; height: 340px; margin: 0px auto 10px; text-align: center; width: 239px;" width="281" /><br />
Sebastian Fischer, aluno de Troxler, cartaz de uma mostra de cartazes do mestre<br />
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Troxler, mostra de cartazes tipográficos <br />
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Mostra de cartazes de alunos de Troxler<br /><br /></div>
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amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-13422874860333524492017-08-01T11:00:00.000-03:002017-08-01T11:00:19.940-03:00Albrecht Dürer<!--[if gte mso 9]><xml>
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<span lang="EN-US" style="font-family: "Frutiger 45 Light","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Frutiger 45 Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Retrato do Imperador Maximilien I, 1519<br />
Oil on lindenwood<br /> 74 x 62 cm <br />Kunsthistorisches Museum, Vienna</span></div>
amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-82171782124467778112017-07-18T10:00:00.000-03:002017-07-18T10:00:05.613-03:00Juan Gris<br />
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Still Life with a Poem, 1915<br />
Oil on canvas<br />80.6 x 64.8 cm<br />Norton Simon Art Foundation </div>
amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-66490567163465729062017-07-17T11:19:00.000-03:002017-07-17T11:19:12.099-03:00Carpaccio<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuKz0GJD8-Zv1x15VmtDkvzle-2mVAaxSPkZVyalJCS50QQyIjNo6yJ6KClcNZJdgoDmqdF1x1W0eVuRmigDK4QXWi2S6yIuoZ0qQ5flbKxYRoCDjfG4Glpp2gu8C8byoxK_aT9MWrsiHx/s1600/Vision-of-St.-Augustine-%2528detail-of-the-dog%2529-1502-08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="470" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuKz0GJD8-Zv1x15VmtDkvzle-2mVAaxSPkZVyalJCS50QQyIjNo6yJ6KClcNZJdgoDmqdF1x1W0eVuRmigDK4QXWi2S6yIuoZ0qQ5flbKxYRoCDjfG4Glpp2gu8C8byoxK_aT9MWrsiHx/s320/Vision-of-St.-Augustine-%2528detail-of-the-dog%2529-1502-08.jpg" width="320" /></a></div>
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Vision of St.Augustine (detail-of-the-dog), 1502-08</div>
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amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-80556154890626665022017-07-05T09:38:00.000-03:002017-07-05T09:38:13.549-03:00William Kentridge<br />
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Cyclopedia of Drawing</div>
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amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-78633999335631987172017-07-03T21:53:00.000-03:002017-07-03T21:53:09.127-03:00Endre Tót<div class="separator" style="clear: both; text-align: center;">
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<br />amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-36590136372202168432017-06-28T09:57:00.000-03:002017-06-28T09:57:35.098-03:00Bernard Requichot<div class="separator" style="clear: both; text-align: center;">
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<br />amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-39349415307910352542017-06-26T10:43:00.000-03:002017-06-26T10:43:11.699-03:00Magritte<!--[if gte mso 9]><xml>
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<span lang="EN-US" style="font-family: "Frutiger 45 Light","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Frutiger 45 Light";"> La Clef des songes [a chave dos sonhos], 1930</span></div>
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<span lang="EN-US" style="font-family: "Frutiger 45 Light","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Frutiger 45 Light";">óleo sobre tela<br /> 81 x 60 cm</span>
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amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-3985007672559463232017-06-14T09:53:00.000-03:002017-06-14T09:53:09.159-03:00Franz Kline<div class="separator" style="clear: both; text-align: center;">
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Desenhos com nanquim sobre páginas de lista telefônica, alguns foram posteriormente ampliados utilizando um retroprojetor.<br />
<span id="goog_1689445896"></span><span id="goog_1689445897"></span><br />amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-51630943144038216922017-06-12T16:01:00.000-03:002017-06-12T16:01:16.339-03:00Neide Dias de Sá<div class="separator" style="clear: both; text-align: center;">
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Momento, 1967</div>
<br />amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-47505365749339174192017-06-09T10:00:00.000-03:002017-06-09T10:00:02.215-03:00Antoni Tàpies<div class="separator" style="clear: both; text-align: center;">
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Espiri Catala, 1974<br />aguaforte</div>
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Lettre A</div>
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Lunettes</div>
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Signes Negres sobre marró, 1990<br />
<span itemprop="artMedium">Etching, </span>77,5 x 120 cm</div>
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Oeil a droite, 1998</div>
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,Aquatinta, 33 x 49,5 cm<br /></div>
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AM, 1985<br />
litografia</div>
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letras<br />
letraset, desenho </div>
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Cruz y Tierra, 1975<br />técnica mista<br />162 x 162 cm<br />
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Variacions 1<br />
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Variacio 2<br />
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Calligrafic</div>
amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-3530374009974046642017-06-07T22:16:00.000-03:002017-06-07T22:16:05.124-03:00Andre Masson<div class="separator" style="clear: both; text-align: center;">
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<br />amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-76886018437859922012017-06-06T10:40:00.000-03:002017-06-06T10:40:15.522-03:00Delacroix<!--[if gte mso 9]><xml>
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<span style="font-family: "Frutiger 45 Light","sans-serif"; font-size: 11.0pt; mso-ansi-language: PT-BR; mso-bidi-font-family: "Frutiger 45 Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">La Liberté guidant le Peuple, 1830<br /> Musée du Louvre, Paris </span></div>
amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0tag:blogger.com,1999:blog-2944098645851007137.post-5199526205859882402017-06-01T09:47:00.000-03:002017-06-01T09:47:18.029-03:00Roland Barthes<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwVp5YAC5Uo7hg8LTRaH8ZSo86GLxV0V9ZSGd2Rrqu3k4X9MuGrlOZIS6BxX3tR1_DAgROQO6fAczBN-sQLTXJkRqJ8WLHLKSFYo5rEKO52JWaHKgPh-6xdBtL_zBXQ3r0bsWgvFTH8lbS/s1600/rb.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5593438043273834146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwVp5YAC5Uo7hg8LTRaH8ZSo86GLxV0V9ZSGd2Rrqu3k4X9MuGrlOZIS6BxX3tR1_DAgROQO6fAczBN-sQLTXJkRqJ8WLHLKSFYo5rEKO52JWaHKgPh-6xdBtL_zBXQ3r0bsWgvFTH8lbS/s400/rb.jpg" style="display: block; height: 348px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipX7uNIX5YOBgETgWPlpV0BfmdcCm3EAZWUiaMqIZQJn1oGFOXWbVIH9FqgFDBHYFUer0wdXhTi8LYmh9EtBpKASADRwKCDjS8rVU_bPpJTl7ESlC-iEhlTfbHL2zhtWf7ourPbwaASPAT/s1600/barthes4.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><br /></a>
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amir brito cadôrhttp://www.blogger.com/profile/14016282898351697394noreply@blogger.com0